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be presented to the restoration of "Trincerone"

La giornata di domenica si è aperta con la presentazione in anteprima al pubblico dei lavori di restauro in corso d’opera sul “Trincerone” del monte Zugna, con la visita guidata da Tiziano Bertè. Successivamente i lavori sono stati presentati in una conferenza dallo stesso Tiziano Bertè e dai responsabili dei lavori, Giorgio Campolongo and Alessandro Andreolli .

In the days before the start of the festival, there was much talk of the restoration of military operations in the mountains Zugna, Pasubio, Text & Corno Battisti, with particular fury against the setting of the work on the Monte Trincerone Zugna. The festival, therefore, was the best possible opportunity to allow the restoration to the editors to show the audience a preview, what are the actual results (albeit still incomplete, since the works are still continuing) of these much criticized recovery work . On Sunday 22 was then opened with the hike in the yards for a guided tour of the restoration Bertè by Titian, one of the leading experts of the War Museum in Rovereto. The visit of two hours allowed the public to be able to do their own idea of \u200b\u200bthe value and impact of the restoration, thus ending the controversy that has long held bank in the local papers, whose criticisms had not yet been verified or challenged by anyone, since the sites were still closed to visitors.

The works were then shown more calmly and precision during a conference held by the same Tiziano Bertè and by the project managers and Alessandro Giorgio Campolongo Andreolli. The much-criticized “colata di cemento” è stata quindi contestualizzata nell’ottica di un recupero dell’opera bellica che facesse si che ciò che si era conservato potesse preservarsi nel tempo (opera necessaria visto il cattivo stato di conservazione in cui era stato trovato il Trincerone dopo lo scavo) e contemporaneamente permettesse di riconoscere subito la parte restaurata dalla parte originale. Un restauro che non copiasse quindi l’originale, ma solo una messa in sicurezza di quello che si era salvato della trincea, con una ricostruzione chiaramente distinguibile dall’originale di come sarebbe stata la forma delle feritoie grazie all’aggiunta di una parte in cemento armato che garantisse la solidità e la durata dell’opera. No intent "reconstruction" and then, but simply a restoration in which the party was inserted immediately visible to avoid creating a "fake old".

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SHREK leaves us ... dissatisfied

In the rooms you can still find it and your children still ask you to take them to see it.
So there you have to accompany them, even if already the third installment there was much pleased with the writers which showed a sharp decline in their fantasy land where the imagination should reign supreme. And if
Shrek 3 not stand the slightest comparison with the first two, this fourth and (hopefully) last episode of the planet's most famous ogre barely meets the minimum criteria to justify the expense of the ticket (increasingly exorbitant). With
the inclusion of one new character (a bad textbook without infamy and without praise) and moving the action into a reality "other" (with the risk of temporal paradox that will force you to give explanations to children in the course) DreamWorks sequel of this time lost the race against the Disney-Pixar (Toy Story 3 is a masterpiece).
with Shrek and Fiona midlife crisis at the head of orc warriors, but still a princely, are again grappling with the "kiss of true love", but without wit, irreverence and originality.
staff 2 ½ star rating, but your children will love, with comments ranging from "I told you so I was that nice! "a" Well, I thought worse. "
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minority culture and place names

Friday, August 20 The day began with a major conference "minority culture and place names, with Hannibal, which introduced the Salsa 'topic and moderate the activities of many representatives of minority cultures that have accepted the invitation of the rocks and the sky.

The theme of the conference was without doubt one of the main political hot summer thirty, after allegations of heavy Minister Raffaele Lease who had ordered the removal of road signs in one German in South Tyrol, requiring a translation into Italian. The opening speech of Hannibal Salsa was therefore enlightening and extremely valuable for understanding what should be the correct approach to the problem of local place names.

First, the former chairman of CAI and the Alpine Convention has in fact a clear separation between the point of interest (for which you need to make the position to be tracked as many people as possible, translating signs not only in Italian, but also in English if necessary) and place of local interest (such as the name of the top of a mountain known only in the area, rather than the name of a hut, etc..) of which almost always there is a translation into other languages \u200b\u200bor if there is a pure craftsman often made during the Fascist era.

Later he led as an example of perfect harmony between different cultures experience the secular state of Switzerland. In Switzerland, in fact, there is no language and therefore a toponymy "official", but there are only names "experiences" that is written in the language spoken by the sedentary population in the region. In fact there is an official language alongside some minority languages, but all the languages \u200b\u200brecognized by the Swiss Confederation have equal right to citizenship and become the official language in the area they are actually spoken. The names are not translated accordingly unless you have an extra-national and national significance that necessitates the identification (the points of interest, in fact or recommendations to public places like town halls). Just coming out of a logic of the majority culture and minority languages \u200b\u200band starting to think of as something tied to the land and the people that speaks and lives you can get out of the power-play culture that sees the "dominant" to try to cancel as much as possible all traces of different local identities.

After this necessary and valuable introduction, began operations representatives of several minority cultures, which submitted their direct experience of management of local place names and have shown how place names can be valuable clues to the history of a linguistic area. Starting from the etymological root of a place-name was unable to locate the root in a given language can indeed reconstruct such populations have inhabited a particular place and which have left traces of itself. The name is something related to the place and language of origin, and its translation, if not already present, it is always forcing an unnecessary and harmful.

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The garden of the nearby ... always teaches something

Some things I've seen around ...

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The Return of padre prodigo

Azz! The last time I posted was the end of June ... since then she has been a while!

You will not give a damn about what I did and where I was, I know, but as the blog is my ... I sign what I did, just not to forget.

I was two months across the ocean for work. I met interesting people and I have seen at first hand the madness of a culture that thought, wrongly, was close to mine.

The family has suffered in particular the absence.

I have grown children and cats.

(Vasco to my departure)

Someone returned the corpse of Anir in a sad morning. Vasco remained alone with Zoe and the report has not yet improved.

(Vasco hours)

the way back everyone was sick. Coughs, catarrh, and various crap ... even it were a leper Manzoni. After 10 days, we see the light of the sun and went to Bomarzo.

We also took pictures of the horse. It's not like the dwarf from Amelie or Barbara, but we started with him a few years ago and we forgot ... now there are remembered.

Meanwhile the garden has gone to hell because resources did not allow time to follow it properly. Weeds reign supreme and thirsty tomatoes continue to produce randomly. All I could gather was collected before the start (six Dank Gott!) Now it's starting to re-arrange it for the winter. 'll Have to go around the circuit with a bottle of genepy!

Meanwhile, life goes on with its ups and downs and difficulties that every family goes through various cycles: health in the first place. The lives of those around us changed dramatically and we are straight on the ship in the middle of the storm.

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VS THE CONCERT The refuge


Approach for differences in this dual review considered where films have in common only the short title, in both cases of two words, one of which is the article "the".
The rest is like comparing a swan to a lizard.
Those of you who prefer the second to the first beast, can certainly appreciate the Refuge, a prime example of how young French authors believe they have talent, try to replicate the art of Truffaut and la poesia di Rohmer senza minimamente riuscirci.
Si buttano sull'intimismo di maniera, convinti che, per accontentarci, basti mettere in scena 4 gatti facendoli drogare, ingravidare, morire, accoppiare (secondo le tre possibili varianti: etero, omo e bisex), senza curarsi che il tutto, data la povertà dei dialoghi, risulti privo di reali conflitti interiori mai veramente approfonditi.
Ma questi francesi si sbagliano. Noi spettatori vogliamo di più!
A molti di noi piacciono i cigni, quei superbi animali che da brutti anatroccoli si trasformano in meraviglie della natura.
A chi cerca la meraviglia consiglio dunque IL CONCERTO, ancora reperibile in seconda visione, una pellicola che non ha bisogno no special effects or photo glossy paper, or famous actors to be considered a film as beautiful as a swan. The genius of ironic
Radu Mihaileanu (former author of the original Train de vie) offers us the opportunity once again to smile (or laugh) and its frescoes social microcosm in the macrocosm, who can paint so well with short and fresh brush strokes. Combining his talent for comedy to bittersweet excitement and touching, is able to enhance the viewer.
with the usual flair for brilliant script, and quality wise, very nice and tells of desperate survival rate for businesses to impossible, the film draws us in this time realizzazione di un improbabile concerto per violino (il N. 1 di Čajkovskij) ad opera di un'eterogenea, caleidoscopica e del tutto fittizia orchestra del Bolshoi di Mosca.
A metterla insieme, per poter suonare a Parigi sostituendo quella vera, è il maestro Andreï Filipov, un tempo grande direttore di fama mondiale, ora umiliato e degradato per mano del regime comunista dall'epoca di Brežnev.
In cerca di riscatto personale e con un duplice e profondo desiderio di chiudere i conti con il proprio passato, il maestro viene fiancheggiato da sublimi personaggi di contorno, che a tratti gli rubano la scena, in una girandola di avvenimenti sempre più incalzanti dove l'altro onnipresente protagonista è la passione.
In questo case, the passion that only music with the "M" capitalized inspire know that overwhelms us so deep here, and that finds its highest expression in the very exciting and unique concert of the title. A concert
also recommend that the director François Ozon: to come out from his refuge miserable and go and see and listen to see how a movie should be done.