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Mi piacciono questi registi che del cinema hanno capito tutto.
James Cameron che, non dimentichiamolo mai, ha diretto Titanic, sa cosa vuole lo spettatore e, adesso che con la computer-grafica ogni sogno immaginato può diventare “realtà”, glielo offre confezionato su misura come il più perfetto abito d'alta sartoria.
La storia è quella dei migliori western, con i cattivi visi pallidi contro i pacifici indiani.
I primi, come da tradizione, vogliono a tutti i costi accaparrarsi le risorse minerarie del territorio (l'oro del futuro si chiama unobtanium , costo: 20 milioni al chilo) e sono forniti di tecnologia and artillery of the highest quality and cutting edge: the beautiful scenery you could not ask for more.
The latter are provided "only" extraordinary qualities: a physical and moral stature, strikingly higher than that of humans, an extraordinary empathy with nature, with trees, with the spirits of their land and their ancestors, an extraordinary ability as hunters and warriors; extraordinary skill as a knight, an extraordinary ability to tame / pilot flying creatures cousins \u200b\u200bof Dragons ... Practically an extraordinary intersection of 2154 between the Native Americans and the Elves.
In the middle is the purest anti-hero / hero who, after making a fitting tribute both to his daughter As head of Mother Nature, from a mere corporal in the Marines will become Soldier Blue : lead the Indians to the rescue before the speech is not rite, halfway between the William Wallace of Braveheart and to King Aragorn Black Gate of Mordor ...
From what I'm talking about, ironically, it might seem that the film I liked.
error. AVATAR is beautiful.
Beyond the screenplay already known (and still respectable even trivial ), everything else is really spectacular and brilliantly absolutely deserves to be seen on the big screen.
The classic story of science fiction, fantasy more dignified (Elven-new age, in fact), action, epic adventure are sewn together, and so finely interwoven with sublime effects that you seem to admire a superb tapestry: rich in detail all embroidered detail, where every detail will fill eyes to how it was interwoven with the most accurate perfection.
A two or three dimensions, which is (as if you were sitting on the side with the fucking glasses darkening still lose much of the 3-D ...) should be watched more than once: the honor that belongs to all of those things nice to see where there is so much that not enough at a glance. For kilometer length
not be afraid: as I said, James Cameron (writer here also) knows his stuff so that eventually there will not be possible to believe that he spent almost three hours sitting on a chair in the cinema.
When you say about the craft.

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AVATAR THE MAN WHO WILL BE 'SHERLOCK HOLMES

This film, very nice, talking about history, one that few of us really know, while most have barely a vague memory or have only heard about.
History of Italy in the roots without even knowing it.
History that can not be changed.
the story that can and should tell, but to cry on will be useless, because the history is and what remains.
astonished spectators stand by watching, largely through the eyes of a child (extraordinary and wonderful newcomer Greta Montanari sugars) that choice remains silent in the face of the tragedies of life.
We have taught our grandparents (or great-grandparents), for those who had the good fortune to listen to them, that being in the world is also fatigue and pain, but you do not need to waste it on so many words, you just need to continue to live .
E 'in this spirit, dry, economical, without wastage of some typical movie melodrama, which George Rights, poet of the silver screen, tells microcosm Emilia and the macrocosm of the 1944 campaign on the brink of a massacre actually took place.
The microcosm is invented, but painstakingly and faithfully rebuilt in the everyday details of a family that acts as a thread. Before we remember how and where we come from, because if we are alive we owe it to land and the peasants who have worked and died for it. Then there
ushering in a tragedy waiting to happen, the result of an unfortunate season, and that is not invented for nothing: the season of war. If the man decides to do it, no matter which side it will necessarily unfair, ruthless and cruel.
Ruthless and cruel is also choose the style that the director in the last presentation of the facts: his innate skill - the perfect camera movements at child height, perfect and clear picture, perfect performance of excellent actors and the direct engagement of the local dialect is ...- without complacency but it is a perfection that does not console us.
As for the massacre of 770 deaths Sonnenberg there was no possibility of appeal, as well as the viewer will not find respite in the tight fitting does not want to give us the dramatic fading romantic turn of events. Often however it breaks, quick and sharp, as quickly and abruptly break the lives of those innocent people.
Man That is a beautiful film that will be typical of the emotion good cinema unites the value of a historical relic: his vision enriches us. Not to be missed. Also posted on
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