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Tamara Drewe - England, mon amour

clear that from director Stephen Frears ( boasting titles such as My Beautiful Laundrette, Dangerous Liaisons, The Queen ), one would expect more, but this gentle comedy- s very Inglese style is perhaps not as bad as you might think.
The heroine of the title is already a comic book heroine, now published only in Italy, which reworks the plot twists of The Crowd, by Thomas Hardy, where the protagonist is contested among three suitors against the backdrop of lush countryside English (see also the namesake of the film '67).
Pure in questa pellicola gli scenari campestri ci deliziano gli occhi, nel corso di quatto stagioni... mentre gli sguardi dei protagonisti maschili sono quasi tutti puntati sulle cosce da paura della brillante Tamara.
Ed è subito scompiglio.
Tornata allo sperduto paesetto natio con un nasino nuovo di zecca, una promettente carriera di giornalista in quel di Londra e un romanzo autobiografico nel cassetto, imbastirà un tira-e-molla col fascinosissimo amore adolescenziale, strapazzandosi prima un famoso batterista-rock star di passaggio e poi un laido romanziere da giallo seriale che l'aveva rifiutata da ragazzina.
Il tono brioso della trama sembrerebbe perfetto per una classica produzione americana (non escludo a remake, ed), but it is likely that the foreigner visa made in the USA in danger of losing that touch of pure English sense of humor that measurably but relentlessly, it beats where the tooth aches.
In this case, it beats the category of writers and hits hard, even without saving shots.
leaving massacred as thugs, selfish, pompous, cowards, opportunists, envious, liars, "half-saws."
A real catastrophe. :-) A
redeem just enough to not consider them all to burn, there's just the beautiful Tamara, she too is part of the class, but all in all romantic heroine able to steer after coming off the track and it is impossible not to cheer.
the very successful "entr'actes of the two bored teenagers in the province and the dialogues that reveal the dark side of those who burned the sacred fire burning.
Overall, very enjoyable. Also published on
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What a beautiful day -?

Now that they saw everyone, absolutely everyone, I can also say that this movie is overrated and I liked it more fall from the clouds.
to the success of the great Checco are more than happy, mind you: one, from the beginning, was able to stifle the laughter right and the left as we sfotte as we are racist, homophobic, backward, mafia, ignorant, opportunistic and so on and so forth, deserve the glory of default.
But beyond the merits comedian / intellectual of the legendary Luca Medici, this film, per se, is not just a pretty comedy where three quarters of the best gags are already contained in the trailer and the remaining quarter I expected something more scathing, most "Zalone", more fun, actually.
The tones are very moderate compared to the previous film: it has rightly earned the plot of a story that is undeveloped, but the inimitable malice that forces us to laugh out loud as we stab in the back was too diluted.
The Italians, of course, this is like (with record box office share at € 31,479,000 17/1/11), but signed a bit 'less. Also published on
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Hereafter - Megamind

Despite the great emotion and great involvement that this film can stir, Hereafter is not without flaws. As in the previous
Invictus , we're the big old Clint, we risk leaving the cinema saying
"Well ... is not Gran Torino."
Translation: It is not the masterpiece we could expect.
On one side of the scale we first of all what is good and, in hindsight, there are several ingredients, each of superfine quality.
The beginning of the film is overwhelming, just like the tsunami staged.
We seem to live those moments of panic as the absolute protagonist. A gigantic river of water carries us away with her.
Patches of "reality" are caught a bit 'in a bit subjective' no, with a wonderful impact overall (thanks to director / special effects / editing / sound) that takes our partnership to almost intolerable levels, so that we find as Marie (journalist francese vittima della catastrofe) sopraffatti e sospesi tra la vita e la morte.
Questo incipit spettacolare, con la mano felice di Eastwood che si estende anche su una grandiosa scena d'esterno, ci introduce in realtà ad film di introspezione, silenzi, solitudine e mistero dove le storie di tre vite (Marie la sopravvissuta, Marcus il gemello spaiato e George il sensitivo) sono fatalmente portate ad incrociare i loro destini.
La vita dopo la morte e il possibile ritorno da quest'ultima (Near-Death Experiences) è il pretesto per unire queste vite, così distanti tra loro sia geograficamente (Parigi, Londra e San Francisco) che umanamente (lei brillante, ricca e famosa, il bimbo con gravi problemi familiari, sensitive in the deep existential crisis).
That 's what helps to unbalance the viewer's attention.
On the one hand, especially in the first part, the film masterfully continues, leaving us time to savor the full flavor of introspection that knows how to inspire, with class, elegance and great emotion.
other hand, creates high expectations, how great are the doubts and questions which leads us to reflect, and then disregard them in the second half plus an ending that, in my opinion, comes too soon.
clear: it is a great honor to present this film (and with the wonderful style of Eastwood) and certain topics is not the task of the director to respond pedagogically to such mysteries.
But the absence of a good quarter of an hour of movie to dig even deeper on the aforementioned balance weighs a ton.
The fact that then the conclusion "of a " was the only possible one could still argue: for sure it was the only desirable for both the good and convincing Matt Damon (George the lonely) and for the beautiful and good Cécile De France (Marie the reborn). Also published on
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After a short business trip I went home.

Needless to say, home is always home. The family, your stuff, the usual routine of getting up, feeding on dogs, cats and kids, coffee for his wife.

Even the garden is where I waited in orderly fashion, with the peas a bit 'higher than when I left them and the onions a bit' more boldness.

The plants sown earlier this year, despite the rollover due to the little dogs are emerging from the earth.

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Cloudy. Let's go it's time to plant! And we also unmarked

In spite of everything, taken from the weather today has given me even a spring sun, I am dedicated to sowing home.

Plastic case, some styrofoam trays, soil medium and generic way!

I put down a bit 'of table tomatoes, peppers and hot peppers, eggplant, basil, melon, cucumbers and gherkins.

When I got to wet the soil at the time I realized that Lillo (nicknamed Nibbler) had "obliterated" even the sprayer, I repaired with the red-hot blade of a knife (and hopefully keep).

Now it's just finding a place in the house bright and hopeful.

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masterpiece failure - not enough to be perfect when

The blue star in this film, super-villain in theory (because now we understand that his evil is not innate, but is the result of the influence of random ' Environment surrounding area), has an intelligence so perfect that alone could extending to him the conquest of happiness.
But, as he will learn at his own expense, having it all is not enough. Likewise we
viewers learn the same lesson at our expense, that is: Just in front of a great film, we realize that the extraordinary package is not enough to satisfy us completely.
From a technical point of view , this animated film is flawless.
Just think of the exciting technological wonders, the result of endless references to movies / comics / animation genre, the characters with big eyes of sympathy or special care in the reproduction of the light that enhances the yield spectacular whole.
In the same manner, the plot is impeccable, this basted around appropriate quotations for refined film buffs and science fiction clichés, always with the best gags from the classic American comedy.
limit the success of the film lies in all this "perfection" that is built around a table and too rich and too artificial. Difficult really passionate about this whirlwind of already seen although cured in every detail.
Something nice and funny children will find it anyway and probably will tell you that he liked the film, but coarse laughter and dreamy eyes or superlatives like a simple "beautiful" can never be attributed to this Megamind that, with all the best intentions, not more than three stars. Also posted on
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this .... The garden in early January

A colleague gave me a kit to make a boxcutter flick: he had learned of my passion, and he seriously sick of the same disease, I had spent what the space of his house could accommodate no more: a pair of steel rods, ebony, stag horn and the kit.

Yesterday, prey to boredom from vacation, I've given in and now I've finished.

The knife is quite small and the mechanics leave something 'to be desired. Next time I will also have a look at this aspect before mounting, but not bad ...

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I know, there are no sprouts and all those other things that you collect now ... well. you know that last year was a mess!

Meanwhile, in November we started to rebuild the garden: the artichokes have been put together, instead of wandering around the lawn, peas, garlic and onions and beans Altamura well have been planted.

When the ground is a bit 'dry as we give them a better shot (always with the neighbor's tractor, which in hand to make these four beds :-) took me a century ...) and just start, calmly to sow in pots to transplant in March.

And we hope that everything goes as it should. Amen.

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And while he's sleeping softly,

I'm interested in some hobby

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Harry Potter and the Deathly Hallows - Part I

The tricksy to split the last chapter of the film Harry Potter saga to double the box office, marching on the expectations of fans, to be taken for what is: a good business transaction, as practiced by those who churns out films to make money.
Indignation and useless. Indeed.
After the hassle of having to pay twice the exorbitant ticket price, to us fantasy fans first hour of this choice should not regret too much.
doubles the time to tell the world in pictures of Lady JK Rowling, we have no way to complain about the painful cuts in basic steps and holes in the dreadful screenplay sadly put in place in the previous HP and Principe Half-Blood . Without
however a minimum of concessions to the language and dramatic plant the big screen with the text written, this first part of The Deathly Hallows will be quite satisfactory.
rhythms and moods are fairly close to the book, key scenes are complied with, the photography is excellent, the special effects do not prevail at the expense the story (which, it must be said at this point is understandable only to those who already know something) and some are even elegant visual solutions, such as the wonderful animated sequence of the tale of the three gifts.
The acting of the protagonist is once again below expectations and the beautiful Emma Watson always succeed (but it takes a little) to steal the show from her peers just as her character Hermione makes default in the books, but everything else deserves to be seen.
And, almost two months after, you can still do it in some movies.

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Rapunzel - the "Disney magic" is renewed

All right: sing.
In Rome's Colosseum, in New York the Statue of Liberty Disney cartoons and the songs are actually removed from office.
We pay a small duty to the inevitable musical performances with the same sequence (heroin / witch / choir tavern / duet) and go beyond.
There'll never regret. The original
Rapunzel Brothers Grimm is another thing, but a review of the story is the same as successful, with a dynamic and brilliant writer on the one hand, the other tender and poetic, with just the right balance between fun and food for thought is not always easy to achieve.
The conversion to computer-graphic drawing of the seabed and in particular does not mean too much to the magic touch of the "design to Disney" and indeed enriches it in a spectacular blaze of virtuosity and spectacular details, feast for the eyes.
The yield of the characters is convincing, the choreography of action scenes is marked to perfection, attention to facial expressions and dialogues by lively action-movie is optimal. Even the inevitable
animals alongside the actors seem to be renewed in a more modern style in homage to the characterization Japanese Anime, especially in the chameleon "pet" of Rapunzel, and the fearsome battle-steed Maximus, which serves as nemesis to the charming thief Flynn Ryder, is an entertaining and enjoyable mix of famous predecessors horse (first of all the horse Samson de The Sleeping Beauty ) and an upright police dog. There is therefore
to be disappointed and it is therefore recommended watching this 50th animated feature film of the historic ... at least on DVD, given the delay of my review.