There is no way to dodge it. We are destined to suffer the "new frontier" of cinema, or 3D. Waiting to get used to the sight and straining to force his wallet - but really a pair of dark glasses, plastic, disposable or even to return the output (!), Can justify the astronomical price of the ticket? - You can keep feet in both camps.
material supplied to us in spades, for starters, and flourished from the lush landscape of animation, which produces films appealing to everyone, but all everyone's taste.
For example, this Christmas could schizophrenic divide between tradition and innovation, two-dimensional alternating dips in the past with The Princess and the Frog, leaping into the future with a computerized 3D raining meatballs.
In both cases, you can enjoy a product of a certain quality, each in its own way.
On the classical genre, from the beautiful designs from retro, for those who prefer the pencil to the digital effects for those who loved the jazz of the Aristocats and not get tired of hearing a song behind the other for those who stubbornly expects a happy ending, it is absolutely recommended the first of two feature films.
Although in both traditionalism is no shortage of oddities.
The beautiful girl in New Orleans, instead of daydreaming and waiting for Prince Charming, she works from morning to night, convinced that only with the elbow grease will be able to realize his entrepreneurial dream, can teach us a bit strangely 'of tenacity. The evil Mephistopheles
practicing black magic and voodoo is strangely thrilling to the right point, the blonde who dreams viziatissima the marriage of convenience is strangely pleasant, friendly and generous, the death of one of the good is strangely in ambush, Prince, even as good as usual, is strangely penniless, loafer, libertine and time consuming.
short, between a wink to the past and the present, we can make a little lull in the "good feelings at the Walt Disney" and sometimes it can not hurt.
Then the children clap at the end of the film (I was there).
For those who are hungry for something more substantial, with less romance and more action, characters and great jokes from American TV series, futuristic inventions and tasty summer hits, the same script more substantial and good feelings, but better developed, it is preferable to orient the rain giant meatballs. Delicious
the protagonist, the scoppiatissimo Flint, a young scientist geniale che nel suo essere timido, incompreso e pazzoide ha comunque un qualcosa di davvero fico.
Singolare, per un cartone, il fatto che nutra rancore e sogni di rivalsa abitualmente affibbiati ai cattivi, e in particolare agli scienziati pazzi cattivi, mentre lui, antieroe alle prese con l'invenzione del secolo che rischia di distruggere l'umanità per eccesso di modificazione genetica, è decisamente buono e meno imbranato di come solitamente dipingono certi topi di biblioteca.
Oltre all'evidente metafora sul consumo sfrenato ed eccessivo di cibo, occhio alla ricerca dell'approvazione paterna: è iniziata con Nemo e prosegue di pellicola in pellicola la rivalsa dei papà, per troppo tempo messi in ombra da super-mamme protagoniste that complete in themselves and so now they need a rebadged their profit educational identity.
That said, I leave you to choose the winner of the challenge dimensional. For posterity ...
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