This film, very nice, talking about history, one that few of us really know, while most have barely a vague memory or have only heard about.
History of Italy in the roots without even knowing it.
History that can not be changed.
the story that can and should tell, but to cry on will be useless, because the history is and what remains.
astonished spectators stand by watching, largely through the eyes of a child (extraordinary and wonderful newcomer Greta Montanari sugars) that choice remains silent in the face of the tragedies of life.
We have taught our grandparents (or great-grandparents), for those who had the good fortune to listen to them, that being in the world is also fatigue and pain, but you do not need to waste it on so many words, you just need to continue to live .
E 'in this spirit, dry, economical, without wastage of some typical movie melodrama, which George Rights, poet of the silver screen, tells microcosm Emilia and the macrocosm of the 1944 campaign on the brink of a massacre actually took place.
The microcosm is invented, but painstakingly and faithfully rebuilt in the everyday details of a family that acts as a thread. Before we remember how and where we come from, because if we are alive we owe it to land and the peasants who have worked and died for it. Then there
ushering in a tragedy waiting to happen, the result of an unfortunate season, and that is not invented for nothing: the season of war. If the man decides to do it, no matter which side it will necessarily unfair, ruthless and cruel.
Ruthless and cruel is also choose the style that the director in the last presentation of the facts: his innate skill - the perfect camera movements at child height, perfect and clear picture, perfect performance of excellent actors and the direct engagement of the local dialect is ...- without complacency but it is a perfection that does not console us.
As for the massacre of 770 deaths Sonnenberg there was no possibility of appeal, as well as the viewer will not find respite in the tight fitting does not want to give us the dramatic fading romantic turn of events. Often however it breaks, quick and sharp, as quickly and abruptly break the lives of those innocent people.
Man That is a beautiful film that will be typical of the emotion good cinema unites the value of a historical relic: his vision enriches us. Not to be missed. Also posted on
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