Because, apparently, this should be the story of a man in love and family man who loses his Trabzon after a family tragedy, and then found the strength to go forward for the sake of the children ... but, in fact, three quarters of the film it comes to trouble all avoidable with a little common sense and buildings to be constructed due to contradictory misdeeds "typical" of the Bel Paese ... and in the end you do not understand where it all will going.
And so, "in Italy robbed and shot in the heart ", "Italy murdered by newspapers and cement ", " Italy that is desperate, who falls in love with Italy, the ' half Italian and half luck duty ", the director moves the always good (even very good) Elio Germano, who gives body and soul to one of the most stupid movie of our house.
Sorry for the harsh criticism that some of the intense interpretation Germano did not deserve, but not just the skill of an actor to make a good film and especially to make a believable character in which, on balance, no one wants to identify himself.
shit really bad or not, and this already takes away the charm.
No, the protagonist is just a little 'simple-minded and understand from the outset that the only positive side is that he loves his children, but despite this, just make shit for the duration of the film.
Without having the "excuse" of being an unemployed person, really down, without friends and family willing to help him, in short, without being really in a dead end as the characters of Ken Loach (Luchetti who are unable to imitate even remotely ) s'incasina own life as follows:
- chooses not denouncing the conspiracy of silence about a fatal accident workplace,
- blackmails his friend to get a subcontractor,
- to start the company asks for money to a drug dealer,
- take all non-black,
- is not able to handle delays and not enough money ,
- is to lend money from the other brothers,
- to finish the job in time takes the other illegal workers, but Italians.
And here the big question: what does this film tell us? Maybe that
er borgataro mason Roman de Rome, which is a mythical suffered cantanno loudly er Vasco, represents the average Italian?
Mah! Or maybe that
er borgataro mason Roman de Rome instead of continuing to support the family as it did before the tragedy (his wife at home churning out children with no need to work) represents the average Italian ready to blackmail and take money from the underworld just to buy the Wii for the children first it's Christmas?
Mah!
Or maybe we all Italians as a neighbor we mean a drug dealer willing to give us € 50,000 because it is really good Montalbano in a wheelchair, goes to Mass, he likes children and can also be used as a baby sitter?
Well, indeed BUT PLEASE!
Or maybe that undeclared work is indispensable for anyone, but if one wants a thing done well workers to put in black and non-Italian to be? Mah
nth degree!
do not know. Indeed, despite the excellent acting of the actors (including Raul Bova :-)), the meaning of the script is incomprehensible.
The only thing you understand, that even now, is that the average Italian, indeed, anyone who is saved only if he has a family that is behind cord in times of trouble (and thanks to God often has it seriously).
The protagonist, however, understands only vaguely and was not even sure he has learned something from slaughterhouses, since the sole purpose of money as a panacea for every ill, went to combining the whole movie.
Che s'intitola “La nostra vita”. Nostra ? Mah...
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